Rehearse your lines hands-free. The app reads the other parts and listens to yours — no partner needed.
Have your own play voiced, every role, with a subscription — for a school play or community theater. Try it free on a scene of your own, or a play from the catalog.
Browse the catalog or import your own.
The app voices everyone else with distinct characters.
Speak your lines when it's your turn. The app listens, checks the line, and moves on.
Every character sounds different — natural, not robotic.
No buttons from the first cue to the last. Rehearse while pacing the room, walking the dog, or folding laundry.
Follow along, or test your memory with blurred lines.
Adjust the pause between lines, and turn on a narrator for the stage directions.
Rehearse a single scene, an act, or the whole play.
Once a play is on your phone, rehearse with or without a signal.
Rehearsal time goes to the acting, not to calling lines.
Rehearsing on your own? Paste the script and every other role is voiced for you — you’re the director, even if the cast is just you.
Reading the other parts for someone at home? Put their script in and the app reads them instead — every evening, and it never gets tired.
Directing a cast? Your actors learn their cues, not just their lines, and every name, cut and pause lands the way you set it.
Includes 25,000 words of AI voicing to start, then 5,000 more every month you stay.
Includes 80,000 words of AI voicing a year.
For scale, Macbeth is about 18,500 words. Unused words carry over while you’re subscribed, up to 160,000. Directing more shows than that? Write to us — the next one’s on us.
Not sure yet? Try it free first on your own scenes, up to 1,000 words in total — hear them cast and voiced. A free scene stays yours to rehearse and is editable for a week; with a subscription, every script stays editable.
Free plays in the catalog, with every role already voiced. Open one and start rehearsing — no card, no sign-up.
Browse the catalogHave a code? Type it in and the whole show lands on your phone — every scene, every voice, exactly as it was prepared for your cast. Unlimited imports, unlimited rehearsal.
Share the play once and every actor rehearses at home with the rest of the cast voiced — cues included, so they learn when to speak, not just what. Every name, cut and pause lands the way you set it, and the actor with nobody at home to run lines with gets a partner. Rehearsal time goes to the acting, not to calling lines.
No. The play you share with them and the free plays in the catalog both open without one — no sign-up, no email, no card, and nothing to pay, then or ever.
Yes. Paste the audition sides, share one code with everyone trying out, and they come in having rehearsed the scene with a partner voice and real cues. A code works for 7 days — about the length of an audition window — and everyone who opened it keeps the scene after that.
For everyone who rehearses, yes: every play in the catalog, and any play shared with you by code. Only the person preparing a whole play subscribes — and anyone can try it free first on their own scenes, up to 1,000 words in total, each editable for a week.
Yes. Paste the script yourself and every role is voiced for you the same way. That’s what the subscription is for: you are the director of your own rehearsal, even if the cast is just you.
Yes. Every other part is voiced and the app listens for theirs, so they can rehearse on their own. If the teacher shares a code, it is free. If not, the question above is you.
Yes. Every play in the catalog is fully voiced and free. Open one and listen — those are the voices your own script gets. Or paste a scene of your own, up to 1,000 words, and hear it voiced, free.
A little fewer than your word processor shows: speaker names and directions inside lines aren’t voiced, so its count is a safe estimate. For scale, Macbeth is about 18,500 words and The Importance of Being Earnest about 20,500. Unused words carry over while you’re subscribed, up to 160,000. Sharing is never counted — one voicing covers every cast you run that play with, both casts of a double-cast show included.
Only scripts you have the right to distribute; that responsibility is yours, and our terms say so. A share code works for 7 days, and everyone who opened it keeps the play after that. A shared script is never listed anywhere public — it reaches your cast and nobody else.
For the spoken scenes, yes — you learn those exactly like a play. Songs are spoken, not sung, so learn those with your music director.
Once a play is on your phone, rehearsing needs no connection: the voices are downloaded with it. Importing a play or a code does need one.
To hear you say your line and follow your place in the script. Recognition runs through your phone’s own speech recognition, and no audio of your voice and no transcript is ever sent to our servers.
Not today. Répliq runs on iPhone and iPad.
